Media of Hate

Event Date: 
03 Oct 2019 to 04 Oct 2019

Location: CRASSH, Alison Richards Building, University of Cambridge

 

For further information, please contact Daniel Trocmé-Latter dt267@cam.ac.uk

 

Keynote speakers: Alexandra Walsham (University of Cambridge) and Nicholas Thompson (University of Auckland)

 

The religious turmoil of the early modern period saw widespread repression of minority religious groups across Europe, involving degrees of violence that prompted large-scale migration across national borders. Those suffering persecution at home often sought refuge in likeminded nations, yet in striking parallel to the refugee crises of today, migrant groups often faced considerable prejudice within their host nations (if not outright violence). Evidence for such religious prejudice can be found across the continent in a variety of media. By the 1590s in England, for example, domestic reaction to religious refugees came to a violent head, with several anti-alien riots erupting in London. Multiple libels, pamphlets, and tracts directed aggressive language toward religious refugees, accusing foreigners of feigning their religion for the sake of migration, overcrowding the capital, and engaging in illegal trade. In cities across Europe, officials had to take disciplinarian approaches to moderating religious violence; for example, according to the early historian of the Reformation, Johann Sleidan, Strasbourg city councillors had to 'command [citizens] to leave others in peace in their churches', at pain of expulsion from the city.

            Media of Hate brings together scholars from the fields of early modern literature, religious studies, history, musicology, and art history in order to explore the various media used to communicate and represent discrimination and distrust towards religious minorities across early modern European contexts, from Dutch Protestant and French Huguenot refugees, to Jewish communities, and Catholic recusants. What distinctions, if any, emerge between singing discrimination, painting it, or writing a poem about it? On what were people’s fears fundamentally based (nationality, cultural habits, language)? Is it possible to discern similarities and differences in xenophobic material from country to country? What effect did hate speech have on policy-making and public opinion? Through this conference, we hope to delineate trajectories regarding hate in the early modern public sphere, arguing for the power that media could wield in shaping historical events and policies, as well as the considerable role that popular concerns about foreigners and belonging played in shaping the literature, art, and music of the period.